In this wordless audio production without actors, we hear fragments of Arabic, English, Farsi, French and Greek: a multi-vocal portrait of the hunt for people today. The ‘absent’ narrators share their stories about the hunt. Some voices are heard. But most are not. Like invisible guides, the different voices lead us through their imaginary museum, which presents hunting scenes that would otherwise be hard to capture. 

Thomas Bellinck (1983) places the theme of “Europa” at the core of his work. He works at the intersection of performance, visual art and film and is known in particular for his works that probe power relations, politics and systemic violence, which he examines through means including professional actors, non-professional actors and academics. He developed Simple as ABC, a series of performances and installations that focuses on the ‘Western migration machine’: the theatrical audio-essay Man Vs. Machine about detection peak technology, the documentary musical Keep Calm & Validate about the digitisation of the European border and now The Wild Hunt, the third part of the series.